How Art Changed the Prison

The Work of the CPA Prison Arts Program

January 27, 2019, to May 27, 2019

The Aldrich Contemporary Art Museum is pleased to present an exhibition of visual art made in Connecticut’s correctional institutions over the past three decades, borrowed from current and former inmates, private collections, including that of the curator, and from the permanent collection of the Prison Arts Program, which is part of Community Partners in Action (CPA), a non-profit that focuses on behavioral change of both current and past inmates of Connecticut’s prison system, in addition to advocating for criminal justice reform. Organized by Jeffrey Greene, who has been with the program for twenty-seven years, the exhibition will include the work of approximately twenty-eight artists, including Edward Schanck (Willard- Cybulski Correctional Institution, Enfield); John Jay Arnold (released); Mark Despres (Osborn CI, Somers); Veronica May Clark (Garner CI, Newtown); Nicholas Palumbo (Osborn, CI); Ross VonWeingarten (released); Ryan Carpenter (Brooklyn CI, Brooklyn, CT); Luis Norberto Martinez (Osborn, CI), and June Seger (York CI, Niantic).

Connecticut’s Prison Arts Program is unique due to Greene’s radical approach that rejects art as an activity pursued through academic exercises, but rather an expansive and integrative pursuit that focuses on giving voice to inner worlds and personal histories, and the belief that learning and growth are primarily achieved by the making of art, not by learning technique.

“The inmates in the program stop thinking of an artist as someone they could become, but someone that they could draw out of themselves,” states Greene. “They stop thinking of art as something in the center of a piece of paper, but rather something that could span from their cell to the moon. In the oppressive environment of the prison they need something that they control; they need to express and confirm that they are still themselves; they need to send out into the world something that states their wish to love and be loved. They have every reason to make art.”

The majority of the work on view was made in the artists’ cells using materials that require minimal workspace, dry quickly, and can be stored immediately, such as ballpoint pen, graphite, and colored pencil. Several artists use more traditional prison art media including toilet paper, cut and folded paper, magazines, ramen noodle packaging, thread, yarn, floor wax, Q-tips, and soap. Often these works involve hundreds of hours of rigorous focus. The artists’ work reflects their ever-changing and complicated lives within the prison system affected by cellmates, prison blocks/units, prison transfers, prison staff, access to materials, access to workshops, colleagues, critiques, as well as mental and physical health. How Art Changed the Prison offers a glimpse at art’s role in the lives of people in Connecticut’s prison system.

Jeffrey Greene is an artist, musician, and curator. Besides managing CPA’s Prison Arts Program he has created collaborative arts projects in SROs (Single Room Occupancy residences) for the formerly homeless in New York City, and in Connecticut’s halfway houses with returning inmates. His audio project, Affordable Future, was part of the New Museum’s Festival of Ideas for the New City in 2011. That same year he co-curated the landmark exhibition Transeuphoria, at Umbrella Arts Gallery in Manhattan, focusing on the work of transgender artists. As a musician, he helped lead the band The Butterflies of Love to momentary fame in the UK and currently fronts Famous Problems, a group that has just released its first album on Where It’s At Is Where You Are Records in London.