on view November 15, 2015 – April 3, 2016
Ridgefield, CT (September 2015): The last one hundred years have witnessed the explosion of virtually every available means and medium in the service of art making, yet painting has not only maintained a central position in visual art, but has also adapted creatively to rapid changes in our culture as a whole. Today, painting is embedded in the broad debate of actual vs. virtual, and its ability to balance what is illusive and what is real, what is tactile and what is optical, and what is emotive and what is formal, providing fertile ground for a diverse range of artists.
This fall, The Aldrich Contemporary Art Museum in Ridgefield, Connecticut, will present Painting in Four Takes, a series of solo exhibitions that will provide a window into the practices of four engaging painters who imbue the medium with relevance and character. The series, on view from November 15, 2015, through April 3, 2016, will mark the first time in over twenty years that The Aldrich has dedicated all of its galleries to painting.
“While some point to marketability as the basis for the unwavering position of painting as a leading visual arts medium, for many artists, painting provides the most relevant platform for expression, allowing for both the potential of innovation and deep historical continuity,” says Richard Klein, The Aldrich’s exhibitions director.
Aldrich curator Amy Smith-Stewart explains, “The four artists selected span generations, methods, and intentions, but all are deeply entrenched in what painting is and can be in the image-dominated atmosphere of our twenty-first century.”